PRESENTATION
Juliette Mozet
There is somethingcaptivatingin creation,an almost meditative momentwhere we abandon ourselvesshapes, color and pigments. I like traditional techniques for my personal work but I prefer digital for my collaborations. It gives me flexibility and precision that I can't have on paper.
MY JOURNEY
2017:Graduated from the Pivaut school illustration section (Nantes).
2018:I'm going to live abroad for a year to perfect my English (Ireland - Dublin).
2019:Back in France, I worked for two years as a graphic designer at Pastilles et Petits Pois.
2021 - 2022:I'm starting as a full-time freelancer!
MY INSPIRATION
I likethe dream stories, visualscolorful and poeticlike those ofRebecca DautremerorAmelie Flechais. If I had to choose a book that marked me, it would be the "Grand guide of Arthur Spiderwick" illustrated byTony DiTerlizzi. Exquisite workmanship fills with finesse andwhich transports you to a world populated by wondrous creatures.
From left to right: Sleeping Wood: Rebecca Dautremer / The Mountain Man: Amélie Fléchais / Arthur Spiderwick's Great Guide: Tony DiTerlizzi
PROCESS AND CREATION
Digital techniques assure meflexibilityAndvery precise renderingthat I can't always have on paper. Over time, I found the possibility oflink the different traditional and digital drawing techniques in a single work. I start with hand-drawn sketches that I scan and take on the computer.
From left to right: Color pencil Faber castel / Sketch and final logo: Ipad Pro - Procreate software / Extra fine gouache paint
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